From the bride: "The music was wonderful! We could not have asked for a better band. Our guests were really impressed; the Uptown Society Orchestra really made our reception special."
Welcome to Rick Holland Productions!
Rick’s bands have been creating exciting musical entertainment for special events for the last 25 years!
From Rick’s spectacular Uptown Society Orchestra’s to his tasteful quartets and trios, Rick will bring the sounds of the American Songbook to life at your next Event or function.
New Demo for the Little Big Band: http://www.youtube.com/watch?v=b0UKfUpYeJk
Please donate to our future recording projects: http://www.gofundme.com/v4kgk
Tenative Fall Schedule:
Every Second Wednesday, at Tala Vera, The Little Big Band. 8pm open rehearsal, 8:30-9:45 performance.
Dec. 20th--lovin Cup--Our annual Christmas Big Band Show!!
Please vist our new on-line booking page: Gig Salad Official PromoKit
Trilby had a successful promotional campaign. Disc's are available at CDBaby.com, ITunes and wherever MP3 outlets are sold!
Trilby now at CdBaby.com--- http://www.cdbaby.com/cd/rickholland4
What People are Saying:
What a surprise!This band and musicians were unknown to me, but they are absolutely great!For listeners to hear musicians challenge themselves, and be taken along for the ride, records like this are a must! The musicians in the Rick Holland-Evan Dobbins Little Big Band are all reaching the high musical standards realized by playing in this excellent Little Big Band! This music will be featured in my playlists for many months to come. Thank you again for sending this exceptional cd to me. Best Wishes and Regards, Peter Kuller - Jazz Presenter Radio Adelaide 101.5fm Brisbane, Australia
Rick Holland-Evan Dobbins Little Big Band Trilby The Rick Holland-Evan Dobbins Little Big Band, which is based in Rochester, New York, was founded in 2005. Co-led by flugelhornist Holland and trombonist Dobbins, the 11 piece group has the sound of a big band despite having eight instead of the usual 11 or 12 horns. Its musicianship is top-notch, soloists are impeccable, and arrangements are both colorful and swinging. The 11 songs heard on Trilby consist of four standards, three originals by harmonica great Hendrik Meurkens, and a song apiece by Kerry Strayer, Hal Crook, Brent Wallarab and pianist Bill Dobbins. The father of Evan Dobbins, Bill Dobbins is the best known musician in the band, contributed six of the arrangements, and is a key soloist on five songs. But enough of the statistics. The Little Big Band swings hard and puts plenty of spirit into each performance. The opener, Benny Golsons “Stablemates,” has fine solos from Holland and the Phil Woods-inspired altoist Doug Stone, with the two battling it out near the tunes finish. Meurkens“Slidin” has an arrangement by Bill Dobbins that in its use of restrained tone colors is worthy of Thad Jones. A heated jam on “The Eternal Triangle” gives Holland and tenor-saxophonist Mike Pendowski an opportunity to jam, trade off and interact with each other. Holland, Doug Stone (this time on clarinet) and trombonist Nick Finzer play lyrically on the melodic “Second Waltz.” David Barons bass is featured prominently on “The Cottage,” a haunting tune particularly worthy of several listens. “Trilby,” a lengthy exploration of the chord structure of “Alone Together,” has some excellent hard bop flugelhorn from Holland, adventurous soprano from Stone and a memorable spot for Bill Dobbins piano. Trombonist Dobbins, Pendowski and drummer Rich Thompson are not only well featured on “Fused” but at one point they play as a pianoless bassless trio. Rich Holland is heard at his best on the ballad “My Darling Darlene” and a jazz waltz version of “While We''re Young.” David Baron is naturally in the spotlight during bassist Oscar Pettifords “Tricotism” (along with Nick Finzer and Bill Dobbins) before Trilby closes with its most intense performance on “Richs Call.” Throughout Trilby, the Rick Holland-Evan Dobbins Little Big Band plays on the level of most better-known ensembles, performing music that is inventive, full of life and fun. Their CD is highly recommended. Scott Yanow, author of ten books including The Jazz Singers, Trumpet Kings, Jazz On Film and Jazz On Record 1917-76
CONCERT REVIEW: Rick Holland Uptown Orchestra at Lovin Cup By Frank De Blase ----City News
Sometimes it all just falls into place. The setting, the situation, the scene, the tone -- everything is going your way. That describes last night for me. And at the heart of this mid-week Xanadu was the Rick Holland Uptown Orchestra, a modest, brass-centric outfit led by the trumpet-blowing Holland that swung with equal parts effervescence and laid-back cool at Lovin Cup. And come to find out, five of his Hollands regular guys were sidelined, and the holes on the bandstand were plugged with subs --- hired music muscle like Po’ Boy Erik Jacobs on the slide trombone. By the time the Orchestra heaped on a helping of Count Basie, there was nowhere else I wanted to be. I dragged my mom out in the cold for this show and she was thrilled when they stomped on the Savoy. Holland led the affair with a relaxed air, coaxing more than conducting under his porkpie lid. He went around the bandstand numerous times so every cat there got his fair shake, including pianist extraordinaire Bill Dobbins. This is one sweet band, yes, yes.
Listen to the Uptown Version of Moten Swing
Please explore our web-site to learn more about Rick’s fabulous ensembles and how they may serve your next event!
Rick Holland’s flugelhorn improvisations flow with a seasoned musician’s imagination and a hard working trumpeter’s ability to play whatever comes to mind. His piquant touches to the top of the staff (or above) from wherever he happens to be in the improvised melodic line are a great example of where daily practice can take you. His sound is attractive, in fact the sonority he gets from the flugelhorn is an essential component of the group’s impact, and his love of Chet Baker’s melodic invention is completely internalized. Holland’s ability to improvise melodically from his imagination, as opposed to fitting memorized patterns of notes into the chord, is worth careful listening. That’s the way it’s done, folks . Lazaro Vega Radio Host Blue Lake Public Radio
I find it very important in todays jazz environment that a player of Rick Holland talent gets heard and recognized because he carries on a tradition of swing and melodic playing that I consider most important in jazz. Hendrik Meurkens, Jazz Harmonicist, NYC, Four #1 Records in the last 4 years.